References

Every source cited in these notes, numbered as in the lessons.

[1] J. Albers, Interaction of Color, Yale University Press, 1963.

[2] W. K. Asbeck and M. Van Loo, Critical pigment volume relationships, Industrial and Engineering Chemistry 41 (1949), 1470–1475.

[3] R. S. Berns, Billmeyer and Saltzman’s Principles of Color Technology, 4th ed., Wiley, 2019.

[4] C. F. Bohren and D. R. Huffman, Absorption and Scattering of Light by Small Particles, Wiley, New York, 1983.

[5] D. J. C. Briggs, The Dimensions of Colour: Modern Colour Theory for Traditional and Digital Painting Media, http://www.huevaluechroma.com, 2007–2024.

[6] D. J. C. Briggs, Colour wheels, in The Dimensions of Colour, http://www.huevaluechroma.com/061.php, 2017.

[7] R. Bujack, E. Teti, J. Miller, E. Caffrey and T. L. Turton, The non-Riemannian nature of perceptual color space, Proceedings of the National Academy of Sciences 119 (2022), e2119753119.

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[12] CIE 170-1:2006, Fundamental Chromaticity Diagram with Physiological Axes, Part 1; CIE 170-2:2015, Part 2: Spectral Luminous Efficiency Functions and Chromaticity Diagrams.

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[37] J. Itten, The Art of Color, Reinhold, 1961.

[38] D. B. Judd, D. L. MacAdam and G. Wyszecki, Spectral distribution of typical daylight as a function of correlated color temperature, Journal of the Optical Society of America 54 (1964), 1031–1040.

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[40] P. Kubelka and F. Munk, Ein Beitrag zur Optik der Farbanstriche, Zeitschrift für technische Physik 12 (1931), 593–601.

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[42] R. Levinson, P. Berdahl and H. Akbari, Solar spectral optical properties of pigments, Part I: Model for deriving scattering and absorption coefficients from transmittance and reflectance measurements, Solar Energy Materials and Solar Cells 89 (2005), 319–349.

[43] R. Levinson, P. Berdahl and H. Akbari, Solar spectral optical properties of pigments, Part II: Survey of common colorants, Solar Energy Materials and Solar Cells 89 (2005), 351–389; the Lawrence Berkeley National Laboratory Pigment Database, https://coolcolors.lbl.gov/LBNL-Pigment-Database/database.html.

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[45] M. R. Luo, G. Cui and B. Rigg, The development of the CIE 2000 colour-difference formula: CIEDE2000, Color Research and Application 26 (2001), 340–350.

[46] D. L. MacAdam, Visual sensitivities to color differences in daylight, Journal of the Optical Society of America 32 (1942), 247–274.

[47] D. L. MacAdam, The theory of the maximum visual efficiency of colored materials, Journal of the Optical Society of America 25 (1935), 249–252; Maximum visual efficiency of colored materials, ibid. 361–367.

[48] B. MacEvoy, handprint: colormaking attributes, color vision, the geometry of color perception, modern color models, color temperature, color wheels, the pigment guides, https://www.handprint.com/HP/WCL/wcolor.html, 1998–2023.

[49] M. Menke, Can color mixing be perceptually uniform?, preprint, October 2026.

[50] G. Mie, Beiträge zur Optik trüber Medien, speziell kolloidaler Metallösungen, Annalen der Physik (4) 25 (1908), 377–445.

[51] M. Mohammadi and R. S. Berns, Verification of the Kubelka–Munk Turbid Media Theory for Artist Acrylic Paint, technical report, Munsell Color Science Laboratory, Rochester Institute of Technology, 2004.

[52] P. S. Mudgett and L. W. Richards, Multiple scattering calculations for technology, Applied Optics 10 (1971), 1485–1502.

[53] N. Moroney, M. D. Fairchild, R. W. G. Hunt, C. Li, M. R. Luo and T. Newman, The CIECAM02 color appearance model, in Proceedings of the IS&T/SID Tenth Color Imaging Conference, 2002, 23–27.

[54] A. H. Munsell, A Color Notation, Ellis, 1905.

[55] A. H. Munsell, Atlas of the Munsell Color System, Wadsworth-Howland, 1915.

[56] Museum of Fine Arts, Boston, CAMEO: Conservation and Art Materials Encyclopedia Online, https://cameo.mfa.org.

[57] K. Nassau, The Physics and Chemistry of Color: The Fifteen Causes of Color, 2nd ed., Wiley, 2001.

[58] S. M. Newhall, D. Nickerson and D. B. Judd, Final report of the O.S.A. subcommittee on the spacing of the Munsell colors, Journal of the Optical Society of America 33 (1943), 385–418.

[59] Y. Okumura, Developing a Spectral and Colorimetric Database of Artist Paint Materials, M.S. thesis, Rochester Institute of Technology, 2005, https://repository.rit.edu/theses/4892.

[60] B. Ottosson, A perceptual color space for image processing, https://bottosson.github.io/posts/oklab/, 2020.

[61] M. R. Pointer, The gamut of real surface colours, Color Research and Application 5 (1980), 145–155.

[62] A. R. Robertson, The CIE 1976 color-difference formulae, Color Research and Application 2 (1977), 7–11.

[63] S. Sands, The subtleties of color, Just Paint, Golden Artist Colors, 1 September 2009, https://justpaint.org/the-subtleties-of-color/.

[64] J. L. Saunderson, Calculation of the color of pigmented plastics, Journal of the Optical Society of America 32 (1942), 727–736.

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[74] W. E. Vargas and G. A. Niklasson, Applicability conditions of the Kubelka–Munk theory, Applied Optics 36 (1997), 5580–5586.

[75] M. Wilcox, Blue and Yellow Don’t Make Green, Artways, 1987; US edition Rockport, 1989.

[76] M. Wilcox, Getting the Most from the Wilcox Mixing Palette, School of Colour Publications, 2003.

[77] W. D. Wright, A re-determination of the trichromatic coefficients of the spectral colours, Transactions of the Optical Society 30 (1929), 141–164.

[78] G. Wyszecki and W. S. Stiles, Color Science: Concepts and Methods, Quantitative Data and Formulae, 2nd ed., Wiley, 1982.

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